My Dad at 70

When I was back in the UK recently we celebrated my Dad’s 70th birthday. I wanted to take a photo of him to remember the day.

He is devoted to his large garden and always has a project on the go: new flower bed, seating area etc. One project that lasted several years was the construction of a small folly. It was built entirely by him and is supposed to look like a medieval ruin! So I thought I’d snap him in front of it and added the sledgehammer in, as I suspect it played a part in breaking up some of those large stones.

The lighting was relatively simple with a snooted flash on a stand just out of frame left, directed at his face. A second flash was at ground level to light the folly. Both were gelled orange in an attempt to recreate the setting sun.

The three photos here show a bit of the progression of the 10 minute shoot…firstly I had him hold the sledgehammer over his shoulder.

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 I like this first shot but realised that you can’t see that he’s holding a sledgehammer. So I had him place the sledgehammer on the ground and rest his hands on it.

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This made him look less ‘heroic’ but more thoughtful. I’m not sure how well this works as he looks a little hunched.

So I asked him to look into the distance which made for a better pose for this final shot. 

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The flash on the ground, which was supposed to light the folly, didn’t fire for this last shot and I think the photo in fact looks better as Dad stands out more.

We were manically packing up our car getting ready to leave that morning so I was pleased to be able to do this quick shoot with Dad. One of many happy memories of a great summer in the UK.

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Info:

- Nikon D800 on a tripod with Nikon 16-35mm f4 lens at 35mm

- Aperture Priority with -1EV

- f10, 1/125s, ISO100

- Snooted SB700 on a stand fired with Pocket Wizard. Flash power was dropped down by -1 to -2 EV

- SB900 on gorilla pod fired with Pocket Wizard

Comedy Writer Portraits

I wanted to take a portrait of my brother-in-law who is a comedy writer. The set up is copied unashamedly from the great Joe McNally. I saw him use this technique at a recent Gulf Photo talk in Singapore.

Firstly I took a test shot with my sister-in-law (we were all having dinner together that evening) which looked pretty good. I had to turn the power of the flash down a little as in the first few shots she was really blown out. But I think the balance is quite good here.

The set up is pretty simple. The laptop is turned off and there is a sheet of white A4 paper on the screen. An SB700 Nikon flash (connected to a Pocket Wizard) rests on the keyboard and fires directly into the A4 paper. The light then bounces back onto the subject. It’s very simple and surprisingly effective.

Next I did the shots with my brother-in-law Tom Williams. He’s a freelance writer who tends to work late into the night, hence the night time feel to the photo. I wanted to shoot him in his garden as I can imagine him hammering away on the keyboard into the wee small hours losing track of time in his lovely recently redesigned garden.

I wasn’t sure that this set up really worked as his very long legs were too prominent. So I tried to use his legs to make the photo look more ‘comic’ to fit his occupation…

The closer crop and the legs tucked up make this look a little better but I’m still not happy with the pose. Also, you can see the flash gun which isn’t great!

So I moved the camera closer and turned Tom round in his chair to get this result, which I really like. But I wish I had asked him to put his hands on the keyboard.

Finally we did a couple of photos with Tom’s two sisters pretending to be shocked by his very rude comedy writing. I think these last two photos work really well and I’m pleased with the results.

Info:

- Nikon D800 on a tripod with Nikon 105mm 2.8 lens

- SB700 being fired with Pocket Wizard. Flash power was dropped down by -1 to -2 EV

- Aperture Priority Mode - which I don’t often use so this was a good test for me. (I usually shoot Manual)

- ISO 250

- f4

- Shutter speeds varied from 1/40s to 1/3s, hence there is some movement in the parts of the photo not lit by the flash